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Despite ‘Pinocchio’ success, del Toro fears for Mexican cinema

| By AFP | Samir Tounsi |

Despite his international success, including a new adaptation of the classic puppet tale “Pinocchio,” Oscar-winning Mexican director Guillermo del Toro fears that his country’s cinema industry is facing “systematic destruction.”

Del Toro’s animated version of “Pinocchio,” in which an elderly woodcarver and his living puppet find themselves in 1930s fascist Italy, was the most watched film on streaming platform Netflix in the week of December 12-18.

Its debut on December 9 came a week before the release of “Bardo,” an autobiographical tale of a journalist-filmmaker returning home after years in Los Angeles, by fellow Mexican Alejandro Gonzalez Inarritu.

Mexican actors have also enjoyed recent success in Hollywood, including Tenoch Huerta, the rising star of the sequel to “Black Panther,” the first major Black superhero movie.

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Del Toro, Inarritu and Alfonso Cuaron represent a golden generation of Mexican filmmakers who have won the best director trophy at the Oscars five times since 2013.

Del Toro’s fantasy romance “The Shape of Water” earned best picture and best director at the 2018 Oscars.

The following year Cuaron scooped three golden statuettes for “Roma” — an intimate black-and-white movie about a family in turmoil in 1970s Mexico City.

‘Brutal’ destruction

But in stark contrast to the international acclaim for the trio, dubbed “The Three Amigos,” del Toro has now warned that the country’s film industry is facing “unprecedented” challenges.

“The systematic destruction of Mexican cinema and its institutions — which took decades to build — has been brutal,” he tweeted recently.

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Del Toro highlighted an announcement by the Mexican Academy of Cinematographic Arts and Sciences that next year’s Ariel Awards — the country’s equivalent of the Oscars — were postponed until further notice due to a “serious financial crisis.”

The organization said it regretted that “the support of public resources has decreased considerably in recent years.

“The state, which was the motor and support of the academy for a long time, has renounced its responsibility as the main promoter and disseminator of culture in general and of cinema in particular,” it added.

Del Toro even offered to pay for the Ariel statuettes out of his own pocket.

“He’s a generous colleague, an artist who is always aware of what is happening not only with Mexican cinematography but with the arts in general in the country,” said Academy president Leticia Huijara.

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She would, however, prefer an agreement with the state.

In the meantime, the  Ariels have been postponed, Huijara confirmed to AFP.

Promoting Indigenous film

Maria Novaro, the general manager of the Mexican Film Institute (Imcine), a government agency, thinks the warnings are exaggerated.

“Del Toro says that there is no more Mexican cinema in the year when there have never been so many productions,” she said, hailing a “record” 256 films in 2021.

“And 56 percent received support from public money. Imcine devotes 900 million pesos ($45 million) a year to financing Mexican cinema,” said Novaro.

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“It’s good that Netflix produces a lot of content in Mexico. But it does not replace what Imcine does,” she added.

Mexican cinema enjoyed a golden age between the 1930s and 1950s, featuring movie stars such as Dolores del Rio and Pedro Armendariz.

But the industry went through a quiet period before enjoying a revival, helped in recent years by the success of “The Three Amigos.”

Mexican cinema has now become decentralized and diversified, according to Novaro, mirroring President Andres Manuel Lopez Obrador’s priorities to help impoverished and Indigenous Mexicans.

Since 2019, there has been a program to encourage Indigenous and Afro-descendant cinema, with 56 such films in production, Novaro said. 

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“Films are starting to come out that tell about migration from the perspective of Indigenous migrants themselves,” she added.

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International

Colombia says it would not reject Maduro asylum request as regional tensions escalate

The Colombian government stated on Thursday that it would have no reason to reject a potential asylum request from Venezuelan President Nicolás Maduro should he leave office, as regional tensions persist over the deployment of U.S. military forces in the Caribbean since August.

“In the current climate of tension, negotiations are necessary, and if the United States demands a transition or political change, that is something to be assessed. If such a transition results in him (Maduro) needing to live elsewhere or seek protection, Colombia would have no reason to deny it,” said Colombian Foreign Minister Rosa Villavicencio in an interview with Caracol Radio.
However, Villavicencio noted that it is unlikely Maduro would choose Colombia as a refuge. “I believe he would opt for someplace more distant and calmer,” she added.

Colombian President Gustavo Petro also commented on Venezuela’s situation on Wednesday, arguing that the country needs a “democratic revolution” rather than “inefficient repression.” His remarks followed the recent detention and passport cancellation of Cardinal Baltazar Porras at the Caracas airport.

“The Maduro government must understand that responding to external aggression requires more than military preparations; it requires a democratic revolution. A country is defended with more democracy, not more inefficient repression,” Petro wrote on X (formerly Twitter), in a rare public criticism of the Venezuelan leader.

Petro also called for a general amnesty for political opponents and reiterated his call for forming a broad transitional government to address Venezuela’s prolonged crisis.

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Since September, U.S. military forces have destroyed more than 20 vessels allegedly carrying drugs in Caribbean and Pacific waters near Venezuela and Colombia, resulting in over 80 deaths.
U.S. President Donald Trump has repeatedly warned that attacks “inside Venezuela” will begin “soon,” while Maduro has urged Venezuelans to prepare for what he describes as an impending external aggression.

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International

Cuba battles out-of-control dengue and chikungunya epidemic as death toll rises to 44

Cuba is facing a severe dengue and chikungunya epidemic that has already claimed at least 44 lives, including 29 minors, according to the Ministry of Public Health (Minsap). The outbreak—now considered out of control—has expanded across the entire country amid a critical shortage of resources to confront the emergency.

Authorities report more than 42,000 chikungunya infections and at least 26,000 dengue cases, though they acknowledge significant underreporting as many patients avoid seeking care in health centers where medicines, supplies, and medical personnel are scarce. The first cluster was detected in July in the city of Matanzas, but the government did not officially use the term “epidemic” until November 12.

Chikungunya—virtually unknown on the island until this year—causes high fever, rashes, fatigue, and severe joint pain that can last for months, leaving thousands temporarily incapacitated. Dengue, endemic to the region, triggers fever, muscle pain, vomiting, and, in severe cases, internal bleeding. Cuba currently has no vaccines available for either virus.

Minsap reports that of the 44 deaths recorded so far, 28 were caused by chikungunya and 16 by dengue.

The health crisis unfolds amid deep economic deterioration, marked by the absence of fumigation campaigns, uncollected garbage, and shortages of medical supplies—conditions that have fueled the spread of the Aedes aegypti mosquito, the primary vector for both diseases. “The healthcare system is overwhelmed,” non-official medical sources acknowledge.

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Beyond the health impact, the epidemic is heavily disrupting economic and family life. The intense joint pain caused by chikungunya has led to widespread work absences, while hospital overcrowding has forced relatives to leave their jobs to care for the sick. In November, authorities launched a clinical trial using the Cuban drug Jusvinza to reduce joint pain, though results have not yet been released.

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International

Ecuador on track for record violence as homicides hit highest level in Latin America again

Violence in Ecuador is expected to reach historic levels by the end of 2025, with the country set to record the highest homicide rate in Latin America for the third consecutive year, according to a report released Thursday by the Armed Conflict Location & Event Data Project (ACLED). The organization warns that criminal activity is not only persisting but could worsen in 2026.

Official figures show 7,553 homicides recorded through October, surpassing the 7,063 registered throughout all of 2024. ACLED estimates that 71% of the population was exposed to violent incidents this year, despite President Daniel Noboa’s declaration of an “internal armed conflict” in an attempt to confront powerful criminal groups.

According to the report, several factors are driving the deterioration of security: a territorial war between Los Chonerosand Los Lobos, the two most influential criminal organizations in the country; the fragmentation of other groups after the fall of their leaders; and Ecuador’s expanding role as a strategic hub for regional drug trafficking.

Since 2021, violence has forced the internal displacement of around 132,000 people, while more than 400,000 Ecuadorians — equivalent to 2% of the population — have left the country. Between January and November alone, violent deaths rose 42%, fueled by prison massacres and clashes between rival gangs.

The report warns that conditions may deteriorate further. Ecuador has been added to ACLED’s 2026 Conflict Watchlist, which highlights regions at risk of escalating violence. The expansion of Colombian armed groups such as FARC dissidents and the ELN, state weakness, and a potential rerouting of drug trafficking corridors from the Caribbean to the Pacific intensify the threat.

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“The president is facing a wave of violence that shows no signs of easing,” the report concludes.

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